Quotable Country – 09/04/11 Edition

  

Click the bullet after each quote to visit the source.

I feel really responsible for his legacy. I knew him so well to know how much he cared about country music and about music in general — boundless music and experimentation and the progressiveness of music. I feel I have an obligation I’ll never lose.
- – Shooter on being Waylon’s son.

What I took from scripture when I was young was that we’re not meant to judge. I don’t care what you do behind closed doors, who you love, how you love … that’s up to you. As long as you treat me right, I will treat you right.
- – Dolly preaches compassion and understanding.

Men, young men, are everywhere on those charts. A lot of them are boys. Actually, many of them. We have a crop of perfectly-sculptured and coiffed and tailored young narcissists as the core of the present-day lineup of contemporary male country singers, as presented by the Nashville establishment. Musically, as well as personally, what they’re offering mainly consists solely of image and attitude. Not much musical sustenance.
- – Chet Flippo points to new releases by Connie Smith, Sunny Sweeney, and Pistol Annies as the antidote to country radio’s sea of mediocre males. Sounds like we’re on the same page.

People don’t realize in high school that those are some of the best times that you’re ever gonna have.
- – Jason Aldean is definitely in danger of falling into the Chesney man-child trap.

My music, it ain’t music that’s gonna change the world or anything.
- – Aldean again. Well, that’s an understatement.

I wait all year for Sunday Night.
- – “In fact, it’s pretty much the only time anyone remembers I even exist,” added Faith Hill.

So if I had a day or two off, instead of letting the labels set up 15 minutes of publishers playing two songs, I started going to publishing companies on my own, and with no appointment. I would just walk in. I walked in Warner Chappell one day and said, ‘Hey I’m Jake, and I’m just here to see if there are any pluggers who would wanna play me some songs because I’m looking for great songs.’ They were like, “Really?” And I said, “Yeah, seriously, y’all are a publishing company, you’ve got great songs, right?”
- – Jake Owen cut out the middle man in tracking down great songs for his new album…

Owen doesn’t write his own material (with one co-writing exception), so the album’s 11 songs involve teams of two or three of Music Row’s name songwriters digging through their youthful memories for new ways to idealize passions and flirtations idealized or imagined on back roads and river banks. None of those tunesmiths are inspired to do their best work here — not when the choruses revolve around written-in-their-sleep cliches like “Lookin’ around it’s good to see/Everybody keepin’ it county” or “Just you and me, girl, settin’ the world on fire.”
- – … an approach which seems to have made not a lick of difference, suggests Chris Willman in his “Barefoot Blue Jean Night” album review. I guess finding the songs yourself doesn’t make much of a difference if your sense of self is as fundamentally uninteresting as Owen’s seems to be.

MuzikMafia, now to me, should be an example to all the creators out there for how it oughta be done. You shouldn’t put perimeters around your creative energy. You should do it the way you want to do it and not apologize for it, and share your stage and look for the next great thing.
- – John Rich on the MuzikMafia legacy.

So while it’s wonderful to play music in a film, I love music a lot and I don’t want to screw it up by making a crummy movie about it. So it’s kind of hard to get me making a movie about music unless it’s gonna be really good.
- – Jeff Bridges won’t take just any old music-related film role.

For the second consecutive year, it seemed as if Underwood were going to demonstrate that, despite all her Grammys and awards from various country music organizations, she is an overrated vocalist and entertainer.
However, late in her 100-minute concert Saturday night at the sold-out Mystic Lake Casino amphitheater, she stepped out of her showy but conviction-impaired, made-for-TV performance mode and cut loose. It was a Carrie-okie moment as the “American Idol” champ from Oklahoma threw herself, body and soul, into a medley of Aerosmith’s “Walk This Way” and Guns N’ Roses’ “Paradise City.” Her voice sounded harsh and dirty, her strut had noticeable swagger and the prim Barbie Doll suddenly became sexy. And she received the loudest reaction of the night from the 8,300 fans — by far.
- – From a Carrie Underwood concert review in the Minneapolis Star Tribune. This was also my experience at an Underwood concert (well, a Randy Travis concert with Carrie Underwood opening) in California five years ago, which makes me think that she really needs to find some original country material that she likes as much as the classic rock cover songs.

I don’t listen to country radio anymore, as there’s really no authentic country music out there. When I’m on the road, I keep satellite radio going all the time, listening to the classic stuff.
- – Add T. Graham Brown to the list of aged-out stars disenchanted by modern country radio. Jeremy Roberts at Pop Culture Examiner has an extensive five-part interview with him.

As far as playing music, I always love to pick up my guitar and play the guitar and sing. And that’s how you do it. Otherwise, no, you don’t stick around for 41 years if you don’t love doing it. Because there are other ways to make a living, and there are other things that this keeps me from doing. You gotta love it, or you’re going to be frustrated.
- – Asleep at the Wheel’s Ray Benson on the secret to his longevity.

I thought that I would never be able to do it without drinking, but it’s really easy when you don’t drink, because you look out at a thousand people every night, and not all of them are drunken a——-, but a lot of them are And they can’t help that. Ninety percent of people, if you put booze in them, act like jackasses. […] But it’s really easy when you don’t drink, because you remember how dumb people look when they do.
- – Justin Townes Earle on learning to perform sober.

Too often, what we’re seeing in modern country is, like, frustrated ’80s rockers posing as country artists, you know? (laughs) When that’s the case, you can tell instantly. You aren’t country just because you’ve exhausted all your other options, and now you’re wearing a cowboy hat!
- – Keith Urban calls the kettle black.

Comments

  1. says

    Without even reading the review, I’m guessing that the reviewer from the Star Tribune has already come under fire from the Underwood Army. You don’t dare write about Our Sweet Carrie unless it’s in the most glowing and complimentary of terms.

  2. Will says

    Idk if your analysis of the Keith Urban quote is valid. Sure he’s pop country, but he’s been “country” since he started, unlike the people who he is talking about. Or maybe youre joking about his hair or the awesome coke addiction he had in the late 90s?

    • C.C. says

      Keith has in fact, never been country, as there has hardly ever been (save for the mediocre ‘But For the Grace of God’) anything he’s released that hasn’t contained a drum loop, screaming electric guitars or that gawd-awful “dunk-dunka-dunk-dunka-dunk” sound.

      The analysis is most certainly valid.

      • Hoggy from Oz says

        C.C., I agree that Keith is hardly country now, but his stuff from Australia, before going over to the US, is fairly country. Check out his song “I Never Work On A Sunday” on Youtube :)

      • says

        Not sure what you’re referring to as the “dunk-dunka-dunk-dunka-dunk” sound? His ganjo playing? His rhythm guitar? Either way, I don’t know anyone else who has your reaction to it or see what it makes him ‘less country’.

        And Keith has released plenty of tracks that don’t feature drum loops. For example, his entire first two albums (Keith Urban and the Ranch). As far as I can recall, nothing prior to ‘It’s A Love Thing’ features drum loops, and there are plenty of tracks after that which don’t.

  3. Sammy says

    Maybe it’s just me but a lot of my co workers and friends complain about the Pop influence of Country music today, but I remember reading an article where Kenny Rogers talks about being ridiculed for not being Country enough. I don’t know about you but I hear Country when I hear his voice!

    I have to mention that my desire is for something fresh in Country music – I’m trying to get the word out on a young lady I had the chance to hear the other night @ Big D Opry while I was visiting Dallas, TX. I think she would be a fresh addition to the Country Pop arena. She debuted a song called “Soon” Written by the legendary Diane Warren whom she had the opportunity to meet and said she was humbled and thankful she was afforded the chance to sing and record this beautiful song. The name Diane Warren probably sounds familiar because she has penned hits for icons such as Faith Hill & Carrie Underwood mentioned above, among countless others. You can check out the music video of the song “Soon” they created of the performance held at Big D Opry here: http://youtu.be/czUxLjgz5Ho

    It’s a very sad but beautiful song and her voice is like silk, not to mention she’s just so good lookin’. Please review and leave your comments. I’m trying everything I can to get this girl heard – not to mention I want this song released so I can buy it!!

Trackbacks

Leave a Reply

Your email address will not be published. Required fields are marked *

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>