Country California

Country music. Seriously.

Quotable Country – 06/08/09 Edition

Click the bullet after each quote to visit the original source.

To the wingnuts: Taylor Swift is country — every bit as country as Rascal Flatts or Keith Urban or Kenny Chesney or any of the other current country pop acts on country radio and on the Billboard charts.
- – … so she’s not country? If you disagree with Chet Flippo, you’re a wingnut.

And he just finished a ride to No. 1 with “She’s Country,” a song that’s as hard-rockin’ and edgy as anything that’s appeared in country’s Top 10. While it’s been embraced, the single left music critics scratching their heads as they tried to define it. It blends country and rock, but it’s not the kind of country-rock one would associate with the Eagles or the Flying Burrito Brothers.
- – Haven’t critics pretty much unanimously pegged it as rock? I haven’t seen much head-scratching.

I’ve sold more records in a week with this thing than I’ve sold in a long time. Which hurts a little.
- – Steve Earle on experiencing commercial success with someone else’s songs (e.g. his tribute to Townes).

If my wife would let me, I’d turn Manhattan into a giant whiskey, go-go bar. All I wanna do is be the big dog daddy and I’ll take all the money they got.
- – You can always count on Toby Keith to class up the joint.

My high-school sweater has three years of varsity letters on it. I was a fast forward. I’d run between their legs.
- – Little Jimmy Dickens on high school basketball.

[She's] arguably one of the best country voices of all time – not just female voices, I mean one of the best country voices of all time. The power that comes out of that little woman is just astounding.
- – Jamey Johnson on Lee Ann Womack.

David Allan Coe posited in his “You Never Even Called Me By My Name” that the perfect country song had to be comprised of a bouillabaisse of elements, including mentions of Mama, getting drunk, prison, and trains. There is a strong argument that trucks and/or trucking should be included in those criteria.
- – From Brady Vercher: Did he look up how to spell bouillabaisse and not take the time to look up “You Never Even Called Me By My Name” to realize that trucks are already part of the list?

When that album (‘If You’re Going Through Hell’) first came out, I made the mistake of looking at reviews. People said I was too optimistic, I celebrated life too much. They’d read my biography. I’d been through so much adversity, but you don’t focus on that. You count your blessings, not problems.
- – Seriously, you guys are such downers. I’m listening to nothing but Rodney Atkins from here on out.

Anyway, one of the things that’s helped me is that I didn’t start living and breathing music when I was 15. I was 25 when I came to Nashville, had been married several years, and had worked jobs since I was 12. I’d lived a lot of life before I got to Nashville, and that gave me a lot of files that I pull from still today.
- – Alan Jackson is glad for a late start.

We were lower middle class, and everyone I knew was — we didn’t know there was anything different. I have this theory … this is a bit of curveball, but people who are really good kissers never have anything given to them. People who can’t kiss had everything given to them. I guess what I’m trying to say is, I’m a hell of a kisser.
- – That is a bit of a curveball, Kenny Chesney. By which I mean that it doesn’t make much sense, other than it gives you a chance to talk about how you think you’re a good kisser.

He was a car valet by night, a starving songwriter by day, until he finally scored a record deal and put out his debut album in 1994. He was a pedestrian talent at first, a pretty boy in a cowboy hat with a decent baritone voice.
- – From the same Chesney article. At first? I guess fame hasn’t changed him.

Maybe somebody will pop out of (the cake). Let me think, who would I like to pop out of my cake? It would be somebody who is a member of the Opry. I know, Little Jimmy Dickens in a rhinestone Speedo and his hat.
- – Lorrie Morgan is celebrating 25 years of Opry membership… with some very strange fantasies. Quick, someone get the image of Dickens’ rhinestone Speedo out of my head…

It’s going great, man, it’s going great…
We do, we do…
We have, we have…
They’re great, they’re great…
Yeah, yeah…
- – Dave Haywood answers most interview questions by repeating himself. That’s weird, man, that’s weird.

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8 Comments

  1. The scary part is that I understand the point Chesney was trying to make.

    And Lorrie Morgan still has a bit of freak left in her, huh? If speedos are coming to the stage soon, it’s no reason Pete Fisher wants to get rid of the gray hairs.

  2. I have this theory … this is a bit of curveball, but people who talk about being good kissers to reporters are trying to convince people of something. I guess what I’m trying to say is, did you see the interview I did for Playboy?

    So Dave, how long before the other two give you the inevitable Kristen Hall treament so that they can make the leap to superstardom?

    Not long, dude, not long.

    Even better than usual this week. Thanks.

  3. Chet Flippo used to work for Rolling Stone and now he sits atop the CMT.com heap, and no one works harder to dilute mainstream country with pop and rock influences than CMT (Colbie Caillat and Def Lepperd anyone?). Are his comments surprising then? Of course not.

    Could Jamey Johnson and Lee Ann Womack become the modern George & Tammy, or Loretta & Conway that mainstream country so desperately needs right now? I can dream…

    Kenny Chesney just creeps me out and his interviews always reinforce this. Carrie Underwood is bland in a harmless kind of way, while Kenny is bland with a lot of murky undercurrents swirling beneath him. Yechh!

  4. I sense that Jamey Johnson and Lee Ann Womack would make amazing music (duets) together! I would love to see more where that came from!

  5. In defense of GAC, I can kind of understand the difficulty with labeling the Jason Aldean song. That’s one of those songs that no genre of music (rock, country-rock, country, pop, etc) should want to be associated with. “Lame” is probably the best label for “She’s Country.”

    In reading that small article on Aldean, it was also kind of interesting to see the lineup for the CMA Festival this Friday: Aldean, Rodney Atkins, Luke Bryan, Lady A., Jake Owen, the Zac Brown Band, and Little Big Town. Granted, I know they have bigger acts on the other nights, and it’s possible there will be a surprise guest. But, that’s a really rough lineup for anyone to have to sit through (although I do hold a soft spot for Little Big Town). You’d think they would try to get a bigger name artist for that night, or at the very least, one that’s a little more interesting than most of these guys.

    As for the other quotes, I’ll try to keep it short and sweet:
    Kenny Chesney- extremely random (and slightly bizarre),
    Dave Heywood- extremely redundant,
    Jamey Johnson-extremely right, and
    Little Jimmy Dickens – extremely awesome.

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