Quotable Country – 04/13/09 Edition

Click the bullet after each quote to visit the original source.

Does Urban mean he’s floating or resisting being serious?
- – Edward Morris on Defying Gravity.

[Julianne] Hough said that Sugarland’s Kristian Bush hugged her after her [ACM Top New Artist] win and officially welcomed her to country music. “I just started crying,” she said, as she choked back tears, “and I’m going to start crying again. But it’s awesome.”
- – I’m not sure how I would feel about being welcomed into country music by Kristian Bush.

With the precarious state our nation’s in, why in the world would country fans want songs about senseless killings, prison life and heavy drinking? And why must you (and a handful of others like you) assume that music loved by moms driving to Target in their minivans is bad. Do you have something against Target? Minivans? Or Moms?
- – Alison Bonaguro is all about the musical Prozac.

Only when (misery) is repressed does it become dangerous. When it’s expressed in art, it’s unbelievably liberating.
- – I’m with Rosanne Cash. Bring on the sad songs.

Q: I have a question for Rascal Flatts: Has any of their music inspired them? I have all of their CDs and there are a number of their songs that have touched me.
(Doreen, Lisbon, ME)
- – Question submitted to GAC. Has any of their music inspired them? You fail at asking questions, Doreen.

Actually, it was a pre-recorded instrumental arrangement that kicked things off that the couple [Joey + Rory] sang and played over for this and several other songs. The fact that they didn’t have a band (which they couldn’t afford, they later revealed) had a noticeable effect on some audience members, with a reaction that said “Really?” It came off as a bit of glorified karaoke for the 2,500 that showed up, many in support for Rory given his local roots (he was born and raised in Atchison, Kan.) To make matters worse, sound troubles stalled the show for a bit when a high-pitched whoopi cushion sound was heard from one of the house speakers, which was mostly humorous but mainly annoying.
- – Uh, sounds like Joey + Rory are still working out some kinks (and whoopie cushions) in their live show. They should probably ditch the chintzy backing track and go for a down-home acoustic vibe instead.

Sorry to hear about Doug and his son Dustin. Sometimes the younger generation needs to be put back in their place. You cannot discipline children today without being reprimanded for it. That’s why there’s so much crime today. I’m behind Doug 100%. Let’s hear the whole story about the way Dustin treated Doug instead of just 1/2 of it. Sometimes kids can get too mouthy and need exactly what they get.
- – I can’t imagine reading an article about Doug Stone’s arrest for domestic battery against his 21-year-old son and having my first thought be that “sometimes kids can get too mouthy.” Maybe we were just odd, but none of the growing pains or familial strife in my house ever resulted in domestic battery charges…

Q. There’s a huge rock riff on “She’s Country.” What’s up with that?
I grew up listening to ’80s hair bands. This is the closest I can get to that and still wear a cowboy hat.
- – Instead of trying to make country that’s as close to something else as possible, Jason Aldean should just ditch the cowboy hat and commit to following his ’80s hair band muse. Please?

Thornton’s elegant duds (tightly tailored black suit, high-heeled black boots, white shirt and narrow black tie) notwithstanding, he filled the role of third-stringer to perfection Wednesday night at Massey Hall [opening for Willie Nelson and Ray Price], fronting a band of four nondescript guitarists, three of whom cancelled each other out by whacking out dull, three-chord songs willy-nilly on identical vintage/reissue Telecasters through vintage/reissue Vox amplifiers. Thornton delivered, in a high, tinny whine, lyrics that were inaudible in the twang-overloaded mix. He played drums in the final piece, during which his timing fluctuated noticeably.
- – Not exactly a glowing concert review for actor Billy Bob Thornton. Oh, sorry! He’s not an actor. Well, he is, but I’m not supposed to tell you that even though you already know. I meant singer Billy Bob Thornton.

We love pop too and we’ve had so much success there. (But) we were at a place where we said, ‘You know what? There are some times where good old-fashioned country music is still the best thing in the world.’
- – Someone who has heard Rascal Flatts’ new album will have to fill me in on all of its good old-fashioned country elements. I’d do it myself, but I’m too busy, uh, steadfastly refusing to listen to Rascal Flatts.

Carrie Underwood Apologizes for Being Such a Whore
- – Amusing (or offensive – take your pick) tongue-in-cheek headline about Underwood feeling the need to apologize for her very innocuous Matthew McConaughey quip at the ACMs.

I unabashedly love country music and I unapologetically loathe contemporary country-pop. Alan Jackson, along with George Strait, are the only two country artists I would deign to mention in the same breath with Hank Williams and Merle Haggard.
- – Might want to expand your horizons a bit there, pal. There are lots of artists closer to Hank and Merle than Strait and Jackson are. This one’s a little obscure, but ever heard of George Jones?

Everybody knows America’s in tough shape right now, but I can tell you another thing. We beat Hitler’s ass, we beat Imperial Japan. The United States has saved the world a couple of times and nobody argues that fact. But we will persevere, we will get through it.
- – Gotta love how John Rich’s discussion of the present economic crisis inexplicably veers off into grandstanding about how we’ve kicked people’s asses historically.


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Comments

  1. I’m not sure I’d fancy being hugged by Kristian Bush whatever the reason.

    Why do you think John Rich’s wandering thoughts go to kicking people’s asses? I thought it was his default setting these days. (But I don’t think the US saved the world *on their own*, either – the two world wars, which I guess he’s talking about, they had a number of allies.)

    • idlewildsouth says:

      We did have plenty of Allies, but it’d be hard to argue against the fact that the tone of war changed considerably once we threw out hat in.

      • J.R. Journey says:

        Idlewid: The U.S. involvement in the second World War might have made a difference, but we were hardly a superpower in the first one.

        Love the Carrie Underwood headline – and the article itself is very funny too. Funny thing is, I could almost like her if she let her hair down more often and got off that whole purity pedestal she’s on.

        Another excellent edition.

  2. Heidi says:

    How can Julianne be welcomed into country music when she only won the award because of her dancing fans? This girl is not a respected country singer and for her to win the Best New Artist award is a joke. I always thought you needed to be able to sing and were were serious about your music in order to win an ACM. Guess not.

  3. Stephen H. says:

    That Strait/Jackson comment seemed more to me as the author saying Strait/Jackson are the only two contemporary singers he can stand, what with the setup of loathing country-pop.

    • C.M. Wilcox says:

      That’s probably what he meant, but that’s not what he said.

      Even if we do assume that he meant to limit it to contemporary singers, he’s still missing the fact that Strait and Jackson aren’t exactly the great standard-bearers of tradition these days. The whole “except George and Alan” line is pretty tired, as far as I’m concerned, and shows limited engagement with the music. There are lots of contemporary artists more comparable to Haggard and Hank, but you have to venture off the beaten path a bit to find them.

      • Mike K says:

        I agree. The first album I ever bought was Ocean Fron Property when I was a kid (it was a TAPE) and I got on the Alan bandwagon soon after, but if your look at their last decade of work it shows how far these guys have slid towards the mainstream middle. I don’t blame them, it’s keeping their careers alive, but their output is not the throwback type of stuff that it once was.

        Particularly good edition this week and if you bump into John Rich thank him for the history lesson for me.

      • George Strait and Alan Jackson are, in my opinion, regularly tolerable with a few legitimate great moments, which puts them head and shoulders above almost anyone else in radio country music, but they aren’t nearly talented, tasteful, or interesting enough to serve as stand-ins for Haggard and Jones.

        And I can’t believe they managed to standardize the whole “King George” thing. So discouraging.

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