Fauss recently issued a three-song follow-up, I Can’t Make You Happy, available now from your favorite digital retailers, including iTunes and Amazon MP3. It’s good stuff too.

Given my enjoyment of his music, I was thrilled when Fauss agreed to share some of his favorite country albums with us. He took the task seriously, submitting a strong list with commentary that offers a nice window into his background and personality. It’s a very worthwhile read.

Here are Ronnie’s picks, in his own words:

Harvest – Neil Young
I have a 5 year old daughter named Phoebe. For the last few years our Saturday morning tradition has been: coffee for me, scrambled eggs for her, make a tent in the dining room, and listen to this record. She loves it.

Red Headed Stranger – Willie Nelson
Recorded 15 minutes from my house, I love this album for what it represents as much as what it contains. With this record, Willie provided a much-needed counterpoint to Nashville Country and helped put Austin, and Texas in general, on the map.

The Road To Ensenada – Lyle Lovett
Lyle Lovett and I went to rival high schools (although he went 20 years or so before I did). I had the privilege of running into him around town a few times before I moved away. Every encounter was weirder than the last. He is the best songwriter ever to come out of Houston, and that’s saying something. This is his opus.

Nebraska – Bruce Springsteen
As an ’80s kid, I’ve been aware of Bruce for his pop songs ever since I started listening to music, but after I saw him in concert as a grown up, I started delving into his back catalog, which is where his true genius lies. This was a Valentine’s Day present from my wife after we saw him together at the since-demolished Reunion Arena in 2001.

Fair & Square – John Prine
My favorite all-time songwriter. I love his early stuff, his ’80s stuff, and his latter-day stuff. I’m not sure he’s ever written a bad song. I picked this record because, unlike so many others of his generation, this is the one that proves that he hasn’t lost a single damn step as he enters his 60s and heads towards his 70s.

Transcendental Blues – Steve Earle
I love the versatility of this record. He transitions between folk, honky tonk, and celtic rock effortlessly.

Other Voices, Other Rooms – Nanci Griffith
I think Nanci is a great songwriter, but there’s something about her interpretations of other writers’ material (many of whom are on this list) that keeps me coming back to this record more than her others.

Car Wheels On A Gravel Road – Lucinda Williams
Southern gothic country-rock at its best. The instrumentation on this record is just killer.

Bring The Family – John Hiatt
Hiatt has long been a master of tongue-in-cheek irony, but he won me over with his earnest folk songs on this album – “Lipstick Sunset” (my daughter’s favorite lullaby), “Tip Of My Tongue,” “Stood Up”… they’re all proof that the best art often comes from the most trying times of life.

Nashville Skyline – Bob Dylan
Not my favorite Dylan record, but his most honky-tonk, for sure. Dylan + Cash = Musical Heaven.

The Late Great Townes Van Zandt – Townes Van Zandt
His most complete record, including his biggest hit (“Pancho and Lefty”) and his best song (“If I Needed You”).

Grievous Angel – Gram Parsons
My fascination with the Privileged Youngster Who Never Reached His Potential Due To Reckless Substance Abuse, Yet Still Somehow Managed To Give Us An Incredible Catalog And Turned Into One Of My Songwriting Heroes continues… first with Townes, now with Gram. This record has a number of his best songs, including his single greatest achievement – “Return Of The Grievous Angel,” with Emmylou on harmony.

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If you enjoyed his list, be sure to check Ronnie Fauss out on Myspace and Amazon.

We’re looking to feature a wide range of artists, so feel free to recommend someone (probably in country or a neighboring genre) whose album recommendations would interest you and we’ll try to add them to the list. This should be an eclectic series that shines a light on some classic music, allows participating artists to reveal themselves as fans, and explores various ideas about what qualifies as ‘country’ music. Though we ask that recommendations be country, we don’t pretend to know exactly what that means or enforce any one definition of the term, so each artist’s own idea of what qualifies as country will contribute to the unique character of his or her list.

This is an especially appropriate time for Duncan to reflect on some of her favorite country music: she makes her Opry debut tomorrow night (Friday, October 16). You can tune in online at wsmonline.com.

We think some of Whitney’s recommendations may surprise you!

20 Greatest Hits – Tanya Tucker

She was who I idolized in country music as a little girl. I used to sing ‘Walking Shoes’ and ‘Down to My Last Teardrop’ in every talent show I entered. Her voice is one of my favorites of all females.

Anniversary: 20 Years of Hits – Tammy Wynette

‘Stand By Your Man,’ ‘Til I Can Make It On My Own’ and ‘Your Good Girl’s Gonna Go Bad’ were some of my favorites from her.

The Essential David Allan Coe – David Allan Coe

While all my friends’ favorite was ‘If That Ain’t Country,’ mine was ‘Would You Lay With Me In a Field of Stone.’

The Very Best of Travis Tritt – Travis Tritt

His voice is one of my favorite male voices. ‘I’m Gonna Be Somebody’ was my favorite when I was younger because I used to blast it while dreaming of being a country music singer.

20 Greatest Hits – Don Williams

‘Good Ole Boys Like Me’ is my favorite all time song. It reminds me of home.

Chris Knight – Chris Knight

He made being a redneck cool. ‘It Ain’t Easy Being Me’ and ‘House and 90 Acres’ are my favorites by him. His voice is just so rough and cool. All of his albums are great, but none beat his first one.

The Woman In Me – Shania Twain

This CD was brilliant! It mixed country with something so cool. It had a huge impact on me as an artist. Her voice is right under Tanya Tucker’s for me.